Isaac Ho’opi, Ramon Camarillo, Irvin Queja, and Glen Hirabayashi play
acoustic down-home, backyard-style Hawaiian music which includes everything
from traditional to contemporary songs and styles.
From left: Glen Hirabayashi, Isaac Ho'opi'i, Irvin
Queja, Ramon Camarillo. Photographer: Jay Caragay
Andes Manta (Chibcha/Mestizo)
The four Lopez brothers, originally from the Ecuadorian Andes, perform
traditional music on a variety of wind, plucked string, and percussion
instruments, including charango, zampoñas, quena, ocarina, and guitar.
Bannaba Project (Kuna)
Bannaba Project is a musical production that presents the music traditions
of the Kuna people of Panama, connecting pre-Colombian musical roots
with jazz, pop, calypso, and other rhythms of the Caribbean.
Buffalo Creek Dancers (Iroquois)
The Buffalo Creek Dancers of Victor, New York, promote Haudenosaunee
(Iroquois) cultural traditions to enlighten and reinforce the spiritual
values of Native people. Since 1988, they have taught Native youth
the culture and social dances of the Iroquois.
Ccanto (Quechua)
Jatipanakay, Quechua for “dance of confrontation,” is also known
as the Scissor Dance. Practiced in regions of the central Peruvian sierra,
the Scissor Dance is performed to Andean melodies of violin and harp.
The dancers “play” the scissors, articulating their movements with the
music and the sound of the scissors.
Cherokee National Youth Choir (Cherokee Nation of Oklahoma)
Made up of young people from Cherokee communities in northeastern Oklahoma,
the Cherokee National Youth Choir performs traditional Cherokee songs
and hymns in the Cherokee language.
Conch Shell Players: Calvin Hoe and Kawaiolimaikampuna Hoe
The traditional ritual of the Conch Shell Ceremony, performed by Native
Hawaiians Calvin and Kawaiolimaikampuna Hoe, will herald the beginning
of the Native Nations Procession. The blowing of conch shells calls
to the powers of the North, South, East, and West, and serves to honor
the commencement of traditional ceremonies.
Rita Coolidge (Cherokee)
Born near Nashville, Tennessee, in the town of Lafayette, Rita Coolidge
is the daughter of a minister of a small church where she sang in the
church choir. Since 1971, she has released dozens of albums—from gospel
to pop to rhythm & blues. Coolidge is a two time Grammy winner,
and has performed with noted musicians Eric Clapton, Joe Cocker, George
Harrison, and others. In the 1990s Coolidge formed Walela, meaning hummingbird
in the Cherokee language, with her sister Priscilla Coolidge and niece
Laura Satterfield.
Diné Tah Navajo Dancers
Performing since 1993, the Diné Tah Navajo Dancers are a group of Navajo
youth who promote the Navajo culture through traditional dances such
as Corn Grinding Act, Social Song & Dance, Basket Dance, Bow &
Arrow Dance, and others.
Lila Downs (Mixtec)
Expressing Latin culture has been a lifelong passion of Mexican-American
singer Lila Downs. She performs her own compositions that are sung in
Native Mesoamerican languages—Náhuatl, Zapotec, Mixtec, and Mayan, as
well as ish and English. The pan-American make-up of her band is reflected
in novel arrangements for Mexican cumbia, classic ranchera, waltz, bolero,
and original works which experiment with rap, jazz, and reggae influences,
among others.
Git-Hoan Dancers (Tsimshian)
The dancers of Git-Hoan, Tsimshian for People of the Salmon,
trace their roots and ancestry to the village of Metlakatla in southeast
Alaska. Led by artist and culture bearer David Boxley, the Git-Hoan
Dancers use masks as they sing and dance their stories of the Tsimshian
people.
From Left: Amanda Brown, Tristen James, David R.
Boxley (standing), Wayne Hewson, Lorene Boxley. Photographer: Tom Brooke
The Gospel Light Echoes—Cynthia Anderson, Louise Smiley, Sharon Jim,
and Rev. Stanley W. Jim—perform hymns both in English and Navajo languages,
reflecting their faith, hope, and strength in God.
Back Row From Left: Rev. Stanley W. Jim, Cynthia
Anderson, Sharon Jim. Front row: Louise Smiley
Grupo de Danza y Musica Comca'ac (Seri)
Indigenous to Mexico, this Seri song and dance group performs songs
that reflect their life as people of the desert and sea. Their rhythmic
dances, often accompanied by a one-string violin, reflect a style that
is unique to each family.
Halau O Kekuhi (Native Hawaiian)
Halau O Kekuhi is the leading traditional dance ensemble in Hawai'i,
with a seven-generation family history as practitioners in the art of
hula (dance) and oli (chant). The group, led by sisters
and National Heritage Fellows Pualani Kanahele and Nalani Kanak’ole,
is particularly known for its mastery of the “Aiha’a,” typified by a
low postured, vigorous, bombastic style of hula and chant which springs
from the eruptive volcano personae, Pela and Hi’iaka.
Charlie Hill (Oneida), Emcee
From the Oneida Nation in Wisconsin, Hill is a renowned stand-up comedian
who has appeared on The Late Show with David Letterman and The
Tonight Show with Jay Leno. With a long career in performing and
broadcasting, Hill has established a reputation as the most popular
and best-known comedic Indian voice.
Victoria Huggins (Lumbee)
From St. Pauls, North Carolina, ten-year old Higgins expresses her
love of music and Jesus through her singing ministry. Having performed
with some of southern gospel music's top singers, her ministry appeals
to the young and young at heart.
Indigenous (Yankton Sioux)
Brothers Mato and Pte, their sister Wanbdi, and their cousin Horse—grew
up on the Yankton Indian Reservation in South Dakota. As adolescents,
their primary influence was Greg Zephier (father of Mato, Pte, and Wanbdi),
a Native rights activist and musician who introduced them to the work
of classic blues and rock legends Santana, Buddy Guy, and Jimi Hendrix.
They now share stages with music legends such as Bob Dylan, Dave Matthews,
Indigo Girls, Bonnie Raitt, and Santana.
From Left: Horse, Pte, Mato, Wanbdi. Credit: Silvertone Recordings
Ledward Ka'apana (Native Hawaiian)
Ledward (Led) Ka'apana was born in the village of Kalapana on the Big
Island of Hawai'i. He is a master of ki ho'alu (slack key guitar),
and complements his instrumental virtuosity with his baritone and leo
ki'eki'e (falsetto) voice. He performs with his trio, I Kona, with
whom he has recorded six albums.
Credit: Dancing Cat Productions, Inc.
Willie French Lowery (Lumbee)
Singer, guitarist, songwriter, and composer Lowery hails from Robeson
County, North Carolina, and has over forty years of experience as a
professional musician. He has recorded several albums and published
over 500 songs, which have been recorded by numerous gospel, rock, country,
and R&B artists.
Métis Fiddlers and Dancers
From the village of St. Laurent in Manitoba, Canada, the Métis Fiddlers
and Dancers perform rapid, old time square dancing to lively fiddling.
Métis “jigging”—such as the Red River Jig, the Waltz Quadrille, and
the Broom dance—is largely influenced by the step dance traditions of
the Irish and Scottish.
Back row from Left: Robert Chartrand, Ronald Chartrand,
Rodney Chartrand, Rick Chartrand, Harvey Chartrand, Clem Chartrand
Second row: Edith Kolody, Isabelle Chartrand
Third row: Kathy Chartrand, Emile Lavallee (Fiddler) Karmel Chartrand.
Missing Guitarist George Gareau
AMO Maori Ambassadors from Te Wananga o Aotearoa (University of
New Zealand) and Rangimarie Maori Cultural Group
Rangimarie embodies a life-style commitment aimed at upholding
the values and spirituality of traditional Maori society. Rangimarie,
a pan-tribal performing arts group, practices a form of dance that is
one of the many ways of attaining this state of being. Based in the
Central North Island of New Zealand, Rangimarie members are from several
tribal groups, from the Pacific Islands including Samoa, Fiji, the Cook
Islands, and Tonga.
Los Nativos de la Isla Taquile (Quechua)
From the Peruvian island of Taquiles, Los Taquileños perform traditional
music—playing zampoñas, piquillos, drums guitars, and mandolin—and dance,
including negritos, jicures, and carnival dances.
Nukariik (Inuit)
Sisters Karin and Kathy Kettler perform traditional Inuit throat-singing,
drum dancing, a ja ja songs, and Inuit games, which they have
learned from Inuit friends, elders, and family.
Oneida Hymn Singers (Oneida Nation of Wisconsin)
Formed in Milwaukee, Wisconsin in the 1960s, the Oneida Hymn Singers
perform hymnals in the Oneida language. While only a handful of people
in their community speak the language today, the Oneida Hymn Singers
feel strongly that these songs must be sung and remembered to preserve
their language.
Photo by Linda R. Martin
Pamyua (Yup’ik/Inuit)
Performers Stephen Blanchett, Phillip Blanchett, Karina Møller, Kristoffer
Jul, and Ossie Kairaiuak, reinterpret traditions of the Inuit and Yup'ik
Eskimo of southwestern Alaska through modern expressions in storytelling,
music, and dance.
Pappy Johns Band with Murray Porter
Finding their inspiration from Glen Miller to AC/DC, the Pappy Johns
Band—Murray Porter, Faron Johns, Don Powless, Oren Doxtator, and Joseph
Michael Mahfoud—collaborates to compose original soul and R&B songs.
All group members are Iroquois, and hail from Canada’s Six Nations Reserve
of Grand River and Fort Erie.
Primeaux & Mike
Vocalists Verdell Primeaux (Oglala/Yankton Sioux/Ponca), and Johnny
Mike (Navajo), perform healing chants, a newer style of songs from the
Native American Church which are peyote melodies and harmonies sung
with drum and rattle accompaniment. Both singers rely heavily on the
musical power of prayer to survive illness and hard times, and aspire
to help restore and maintain balance, peace, harmony, and beauty for
all people.
Red Earth
Based in Albuquerque, Red Earth mixes musical, cultural, and political
influences to create an explosive sound which they label “tribal stew.”
Funk, rock, reggae, and Latin grooves are mixed with ska, punk-a-billy,
jazz, and Native rhythms—along with a heavy dose of Indian humor.
Buffy Sainte-Marie (Cree)
Born in Qu’Appelle Valley, Saskatchewan, Sainte-Marie was adopted and
raised in Maine and Massachusetts. In the early 1960s, she became known
as a writer of protest and love songs, many becoming huge hit and classics
of the era. Her work has been performed by many artists including Janis
Joplin, Barbara Streisand, and Elvis Presley. Her song “Up Where We
Belong,” recorded for the film An Officer and a Gentleman, won
an Academy Award in 1982.
Sandy Scofield (Saulteaux/Cree)
Based in Vancouver, singer-songwriter Scofield combines elements of
folk, pop, jazz, country rock, rap, and Cree music, with songwriting
that reflects her social and political views on her heritage, as well
as the world around her.
Keith Secola (Anishinabe)
From the Mesabi Iron Range country of northern Minnesota, Secola is
a master guitarist, Native flute player, singer, songwriter, composer,
and producer. Secola calls his music “alter-Native,” a blend of blues,
folk, country, mellow and heavy rock, reggae, and indigenous and world
beat genres.
Joanne Shenandoah (Oneida)
From the Haudenosaunee Nation of central New York State, Shenandoah
blends Iroquois songs with traditional and western instruments. A leader
in the genre of contemporary Native music, her music addresses everything
from Native American struggles and issues, to love, relationships, and
the environment.
Photo by James Mahshie
Star Nayea
Raised in the suburbs of Detroit, Michigan, singer and songwriter Star
Nayea delivers powerful soul with a voice rooted in “Motor City” rock
‘n roll. She has recorded and performed with many Native artists, including
Robbie Robertson, Buffy Sainte-Marie, Keith Secola, Robert Miribal,
Indigenous, and many others.
Suurimmaanitchuat Dance Group (Inupiat)
From Barrow on Alaska’s North Slope, Suurimmaanitchuat is one of the
most highly regarded traditional dance groups in Alaska. Using flat,
frame drums to accompany their songs, the group’s dances depict aspects
of their hunting and fishing traditions.
Lynette Hepa
Photo by Bill Hess
Suyá from Upper Xingú Region
Husband and wife Kuiussi and Uekwoiyi, along with two other tribal
members, draw from a wide variety of Suyá song traditions that include
curing chants and political oratory.
Ulali (Tuscarora, Apache/Maya)
A cappella trio Ulali—Pura Fé, Soni, and Jennifer—known for their unusual
harmonies and wide vocal and musical range, sing music in the many styles
and languages of their ancestors in the Western Hemisphere.
Hobbema, Alberta-based War Party is Kool-Ayd (Karmen Omeosoo), Girlie
Emcee (Cynthia Smallboy), and Mic Noble (Rex Smallboy). Drawn to hip-hop
for its seeming openness—regardless of creed or color—War Party delivers
a full-force message of potent commentary.
White Oak Singers
Formed by the late Colin Bears Tail (Arikara/Hidatsa), the White Oak
Singers perform Northern Plains-style singing of the Mandan, Hidatsa,
and Arikara Nation of the Fort Berthold Reservation in North Dakota.
The group has recorded songs for the Discovery Channel Network and is
included in the soundtrack of the documentary “How the West Was Lost.”
Jimmy Wolf (Mohawk)
Wolf has released three albums since 1999 and has shared the stage
with some of the world's best blues and R&B artists, including Albert
Collins, Buddy Guy, Junior Wells, Koko Taylor, Albert King, Millie Jackson,
and Little Johnny Taylor.
Mary Youngblood (Aleut/Seminole)
Classically trained on piano, violin, classical flute, and guitar,
Youngblood is one of the first Native women to record and perform flute
music. She received a GRAMMY Award in the “Best Native American Album
2003” category for her release, Beneath the Raven Moon (SilverWave).
Regalia
DY Begay (Navajo) Arizona, Navajo dress making
Gerry and Eric Hawpetoss (Menominee) Minnesota, Plains moccasins
and regalia
Clarissa and William Hudson (Tlingit) Colorado, Chilkat robes
Nathan Jackson (Tlingit) Alaska, Northwest masks
Esperanza Mamani Javier and Leonardo Ventura Polo (Jalq’a) Bolivia,
Weaving and embroidery
Mother Bear Peters and Ramona Peters (Mashpee Wampanoag) Massachusetts,
Painted buckskin and hide dresses
Karen Pheasant (Ojibwe) Canada, Jingle dress
Kimberly Stevenot (Mewuk) California, Traditional regalia
Sam Thomas (Cayuga) New York, Iroquois regalia
Margaret Wood (Seminole/Navajo) Florida, Seminole dresses
Wilbur Arce (Quechua) Peru, Charangos
José Guadalupe Bautista Alejandro and José Alberto Guadalajara Chávez
(Tarahumara) Mexico, Fiddles
Adolfo Condori Vela (Tarabuco) Bolivia, pan-pipes and drums
Steve and Rose Darden (Navajo) Arizona, Gourd rattles
Joe David (Mohawk) New York, Water drums
Arnold Herrera (Cochiti Pueblo) New Mexico, Pueblo drums
Calvin Hoe and Kawaiolimakampuna Hoe Hawai’i, Gourd drums, nose
flute
Fernando Juárez and Guillermo Bethancourth (Maya) Guatemala, Marimba
Bernardo Esquer López (Mayo-Yoreme) Sinaloa, Mexico, Harp
David A. Montour (Potawatomi/Ottawa/Mohawk/Cayuga) Arizona, Flutes
Rex and Leona Okakok (Inupiat) Alaska, Frame drums
Rock Pipestem and Kingston Louis Pipestem (Otoe-Missouria) Oklahoma,
Powwow drums
Perry and Kathy Van Buskirk (Cherokee) Oklahoma, Turtle leggings
& rattles
Chuna McIntyre
Storytelling
Cochise Anderson (Chickasaw/Mississippi Choctaw), Oklahoma
Cochise Anderson (Chickasaw/Mississippi Choctaw) is a storyteller,
playwright and actor who has shared his storytelling at museums, powwows
and schools all over the United States. He is the recipient of the
Bush Artist Fellowship for Performing Art and the Jerome Fellowship
for Playwriting.
Lloyd Arneach (Eastern Band of Cherokee), North Carolina
Storyteller Lloyd Arneach was born on the Qualla Boundary in western
North Carolina. His first storytelling influences were his uncles, Frell
and Henry Owle. He has performed at the National Storytelling Festival,
the Carter Center, the Smithsonian Folklife Festival, and many others.
He has been featured on several videos, including Voices in the Winds,
and a National Geographic television special, and his stories have been
published in several books.
Loren Bommelyn (Tolowa), California
This Tolowa tradition bearer from Crescent City, California, is a 2002
National Heritage Fellow. He has played a significant role in the Tolowa
community of Northern California by preserving, practicing, and promoting
Towola cultural traditions including language, regalia, ceremonial dances
and songs, and basketmaking.
Joe Cross (Caddo/Potawatomi) and Donna Couteau Cross (Sac &
Fox), Oklahoma
Together as the Leaf Arrow Storytellers, this performance duo relates
tales of the Caddo and Sac & Fox nations of Oklahoma. Themes of
traditional beliefs and the cycles of life are expressed through story,
song, and dance—expressive of the special relationship Native peoples
have with the Earth.
Paulla Dove Jennings (Narragansett), Rhode Island
Jennings is a storyteller, historian, and author of Strawberry Thanksgiving.
She is a curator for the Tomaquog Museum in Exeter, Rhode Island, and
serves on the Economic Development Committee for the Narragansett tribe.
Kuna writer, editor, human rights activist, computer technician, and
storyteller Iguaniginape Kungiler was born in Panama City. He has published
two books, Espiritu de la Tierra Nuestro Espiritu (Spirit of
Our Earth, Our Spirit), written in Kuna and ish, and Caminante y
Guerrer: Biografía de Simrral Colman (Traveler and Warrior: the
Biography of Simrral Colman).
Sean Fahrlander (Ojibwe), Minnesota
Storyteller Sean Fahrlander (Mille Lacs Band of Ojibwe) was raised
on the Leech Lake and White Earth Reservations in northern Minnesota.
With the permission of community elders, Fahrlander shares their stories
that have been handed down to him. He is a published writer and will
soon release three illustrated children’s stories. He currently lives
and works in the Minneapolis area.
An accomplished storyteller and lecturer, Ms. Richmond has performed
across the Northeast to school and community groups and performed at
countless festivals, social events, and conferences. Dedicated to Native
American educational and political issues for over two decades, she
presents programs that highlight the history and culture—both traditional
and contemporary—of Native peoples of southern New England.
Gayle Ross (Cherokee), Texas
Storyteller and author Gayle Ross is a descendent of John Ross, Principal
Chief of the Cherokee Nation during the infamous “Trail of Tears.” From
her grandmother’s stories,
Gayle relates her rich heritage—through live stage children’s books—enthralling
audiences of all ages.
Photo by James Fox
Dovie Thomason (Lakota/Kiowa-Apache), Virginia
Thomason celebrates her heritage through traditional stories learned
from her grandmother—stories that inspire delight in the spoken word
and teach respect for values passed on through generations of storytellers.
The importance of choices—whether made by a talkative fox or a bullying
fox—are the heart of her stories.
Mary Louise Defender Wilson (Dakotah), North Dakota
Also known as Gourd Woman, Wilson is a Dakotah elder and traditionalist
born into a family of storytellers on the Standing Rock Indian Reservation
of North Dakota. For decades she has been telling the stories of her
relatives so that following generations might live "in a good way."
Wilson is a National Endowment for the Arts National Heritage Fellowship
award recipient.